see this is a killer version of tilting that thing down. you beat me there for sure
this may quite possibly be my most favorite t/s lens photo ever.
Jon: Indeed it was. 45mm tilt shift lens.
Awesome work! I love the focusing on this, was it done in camera?
Jon
Wow Jonas.. i love this photo.. !! you have gorgeous work.. ill be a regular..
thanks for your comment on my blog.. sorry i don’t write a lot, i must’ve handed the good writing story telling onto my daughter.. haha..
kel
xx
Now I know why you picked Wedding photography. ;)
“Garry Winogrand is famous for having exposed three rolls of Kodak TRI-X black and white film on the streets of New York City every day for his entire adult life. That’s 100 pictures a day, 36,500 a year, a million every 30 years. Winogrand died in 1984 leaving more than 2500 rolls of film exposed but undeveloped, 6500 rolls developed but not proofed, and 3000 rolls proofed but not examined (a total of a third of a million unedited exposures).
This is the kind of dedication that you need to bring to a street photography project if you hope to achieve greatness.”
see this is a killer version of tilting that thing down. you beat me there for sure
this may quite possibly be my most favorite t/s lens photo ever.
Jon: Indeed it was. 45mm tilt shift lens.
Awesome work! I love the focusing on this, was it done in camera?
Jon
Wow Jonas.. i love this photo.. !! you have gorgeous work.. ill be a regular..
thanks for your comment on my blog.. sorry i don’t write a lot, i must’ve handed the good writing story telling onto my daughter.. haha..
kel
xx
Now I know why you picked Wedding photography. ;)
“Garry Winogrand is famous for having exposed three rolls of Kodak TRI-X black and white film on the streets of New York City every day for his entire adult life. That’s 100 pictures a day, 36,500 a year, a million every 30 years. Winogrand died in 1984 leaving more than 2500 rolls of film exposed but undeveloped, 6500 rolls developed but not proofed, and 3000 rolls proofed but not examined (a total of a third of a million unedited exposures).
This is the kind of dedication that you need to bring to a street photography project if you hope to achieve greatness.”